In the Name of Scars

Concept translated through body, tension, and unstable form

This page is not about commercial proof. It is about whether abstract emotional ideas can become a clear visual and structural language.

Role
Concept design / form study
Year
School-stage project
Scope
concept narrative, form study, process translation, final look execution
Metrics
concept-to-form exploration
In the Name of Scars sketch silhouette

Emotional and visual premise

The starting point is not a market-facing garment, but a compressed emotional environment around trace, wound, and bodily tension.

Scars concept cover
Scars concept secondary cover

Translate concept into form

Sketch and process material here prove how concept became wearable form rather than staying as mood alone.

Scars draping ruffle study
Scars draping shoulder detail
Scars draping torso study
Scars draping side silhouette
Scars draping back detail
Scars draping front form
Scars draping skirt experiment
Scars draping side construction
Scars draping gathered detail
Scars draping back study
Scars draping full form study
Scars draping wrapped form
Scars draping close construction
Scars draping back exploration
Scars draping shoulder form

From drape back to paper

Draping observations become a resolved sketch language, carrying folds, suspension, and bodily tension into silhouette decisions.

Scars sketches group one
Scars sketches group two
Scars sketches group three

Why this page belongs here

This page adds emotional translation, concept narrative, and body-language sensitivity to the overall portfolio system.